Tuesday, October 5, 2021

THE VANDERBILT FAMILY by Anderson Cooper

THE VANDERBILT FAMILY by Anderson Cooper



New York Times bestselling author and journalist Anderson Cooper teams with New York Times bestselling historian and novelist Katherine Howe to chronicle the rise and fall of a legendary American dynasty—his mother’s family, the Vanderbilts.

When eleven-year-old Cornelius Vanderbilt began to work on his father’s small boat ferrying supplies in New York Harbor at the beginning of the nineteenth century, no one could have imagined that one day he would, through ruthlessness, cunning, and a pathological desire for money, build two empires—one in shipping and another in railroads—that would make him the richest man in America. His staggering fortune was fought over by his heirs after his death in 1877, sowing familial discord that would never fully heal. Though his son Billy doubled the money left by “the Commodore,” subsequent generations competed to find new and ever more extraordinary ways of spending it. By 2018, when the last Vanderbilt was forced out of The Breakers—the seventy-room summer estate in Newport, Rhode Island, that Cornelius’s grandson and namesake had built—the family would have been unrecognizable to the tycoon who started it all.

Now, the Commodore’s great-great-great-grandson Anderson Cooper, joins with historian Katherine Howe to explore the story of his legendary family and their outsized influence. Cooper and Howe breathe life into the ancestors who built the family’s empire, basked in the Commodore’s wealth, hosted lavish galas, and became synonymous with unfettered American capitalism and high society. Moving from the hardscrabble wharves of old Manhattan to the lavish drawing rooms of Gilded Age Fifth Avenue, from the ornate summer palaces of Newport to the courts of Europe, and all the way to modern-day New York, Cooper and Howe wryly recount the triumphs and tragedies of an American dynasty unlike any other.

Written with a unique insider’s viewpoint, this is a rollicking, quintessentially American history as remarkable as the family it so vividly captures.


In his new book, CNN anchor and "60 Minutes" correspondent Anderson Cooper tells the story of the Vanderbilt family dynasty – from his great-great-great-grandfather, Cornelius "Commodore" Vanderbilt, once the richest man in America who built his fortune through steamships and railroads, to his mother, socialite Gloria Vanderbilt.

Cooper talks with correspondent Mo Rocca about how the wealth and privilege in his family tree marked succeeding generations. CBS Sunday Morning 

Saturday, February 13, 2021

The Buffer Brothers: Crazy True Life Story Of Bruce And Michael Buffer



In case you fight fans didn't know, Michael Buffer is a famous boxing & wrestling ring announcer who is 'world-renowned' for his trademarked catchphrase, "Let's get ready to rumble!"

What makes this story even more intriguing is that his younger half-brother — Bruce Buffer — is a popular mixed martial arts octagon announcer who also has a signature catchphrase, "It's time!"



MICHAEL BUFFER
&
BRUCE BUFFER

THE BUFFER BROTHERS



Soledad O'Brien sits down with the enterprising duo to learn more about their inspiring story, and how it led to the birth of the Buffer Partnership. Real Sports debuts Tues., May 20 at 10pm ET/PT on HBO. 


"IIIIIIIIIIIIIIIIIIIIIT'S...TIIIIIIIIIIIIIIIIIIME!"
-vs-
"LUUUH-ets GET RRREADY TO RUMMM-BULLL!"


“The feeling that overtook me was (A) I’m a big fan of his work and a fan of what he does, but (B) this is my blood. This is my brother. I’m hit by a kind of double whammy. It was a wonderful night. I was just so happy we all got along.”

For much of their lives, Michael Buffer and Bruce Buffer led separate existences -- Michael with his foster parents, Bruce with his birth parents -- connected and unconnected, as intertwined and radically different as boxing and UFC.
 

Monday, September 28, 2020

Luke Voit: Origins Story | New York Yankees

LUKE VOIT: ORIGINS STORY
NEW YORK YANKEES

According to the first baseman, however, the procedure not only repaired the problem but combined with the post-surgery rehab work has significantly improved other areas of his well-built 6-foot-3, 225-pound frame. “I have never felt any better in my life. It’s everything. I feel faster, more agile and my strength is back,” Voit told The Post while driving through Atlanta on his way from Missouri to Tampa on Saturday. 
"That’s part of my success, having to fail a lot.” Here's a deep dive into where Luke Voit came from and how he's become the man and baseball player he is today.


22 HR 52 RBI .277 AVG




Yankees first baseman Luke Voit talks about what it takes for a successful at-bat and why he’s incorporated the “Sammy Hop” after a home run swing.


Sunday, August 9, 2020

Top 10 NBA Plays Of The Night | August 8th, 2020

NBA's Top 10 Plays Of The Night | August 8th, 2020

Check out the top 10 plays of the night from the NBA Restart on August 8, featuring Luka Doncic, LeBron James, Kristaps Porzingis and more!


21-yr-old phenom strikes again w/ NBA's leading 17th triple-double: 36 pts • 17 rebs • 19 asts



Wednesday, October 23, 2019

Top 5 NBA Plays Of The Night | October 22nd, 2019

Top 5 NBA Plays Of The Night
October 22nd, 2019



Check out the top 5 plays of the night from around the league on Oct. 22 featuring Kawhi Leonard, Lonzo Ball, LeBron James and more!

Saturday, October 19, 2019

Top 10 NBA Plays Of The Night | October 18th, 2019

Top 10 NBA Plays Of The Night
October 18th, 2019


Check out the top 10 plays of the night from around the league on Oct. 18 featuring Kendrick Nunn, Jahlil Okafor, RJ Barrett and more!

Friday, October 18, 2019

Top 10 NBA Plays Of The Night | October 17th, 2019


Top 10 NBA Plays Of The Night
October 17th, 2019


Check out the top 10 plays of the night from around the league on Oct. 17 featuring Zach LaVine, Karl-Anthony Towns, Wendell Carter Jr. and more!

Thursday, October 17, 2019

Top 10 NBA Plays Of The Night | October 16th, 2019


Top 10 NBA Plays Of The Night
October 16th, 2019


Check out the top 10 plays of the night from around the league on Oct. 16 featuring Trae Young, LeBron James and more!


Monday, April 15, 2019

Asian Baby Boss


theCHINESE BABY BOSS

Toddler uses steel pipe to defend grandmother from Chinese authorities

“A toddler is being hailed as a miniature hero on Chinese social media after he defended his grandmother from urban management officers who were trying to clamp down on illegal street vendors.



The video of the toddler standing up to the grown men has gone viral, and shows the boy picking up a long steel pipe, wielding it like a weapon and repeatedly yelling: "Don't touch my grandma!"



The boy's actions cracked many eyewitnesses up, but has also earned him plenty of compliments from Chinese netizens for his brazen contempt toward authority.” — Alicia Tan | Mashable


Saturday, December 29, 2018

Carlos Santana The Designer?

Latino Designers We Love: Carlos Santana

Carlos Santana can do more than play a sick tune on his guitar. Have you checked out his hottest shoes and bags? Here, he tells us how he got into fashion.



How did you get into designing women's shoes and bags?
I was looking for another passion to express my creativity while simultaneously supporting my philanthropic efforts through The Milagro Foundation, and making females happy through my shoe and handbag lines has given me tremendous satisfaction. If the females are happy then everyone is happy.


Does your music inspire your designs?
My musical state of mind is always part of every part of the Carlos Santana brand, whether it's a handbag or a shoe or a fedora. Melody is the woman and rhythm is the man. Both are necessary and feed off each other in music as in fashion.

What advice would you have for someone wanting to start their own line or business?
Focus, focus, focus! Go after your dream, have a point of view and be true to yourself, believe in yourself and your dream, dreams do come true if you believe and work from the heart.

What were some of the challenges you faced in starting out and how did you overcome them?
In general, there haven't been any serious challenges because failure isn't much of an option for me. At first, though, it was hard for people to associate me with footwear and handbags, but eventually once people saw the quality and style, which spoke to their aesthetic, we were given permission through trust and even more doors opened.




Describe your customer?
I'm always looking for a new color or feeling or sensation, so there's nothing ho-hum or 'been there, done that' about my existence. I feel that this transcends the brand and the people who wear my creations. My customer is a person who is not emotionally invested in fear, and that makes her supremely attractive. She is confident, a go-getter, the woman who knows who she is and what she wants, understands style and trend and wants to be fashionable.

What would you say is your design signature?
Symetry of color, texture and confidence that makes the woman who wears or carries my products feel special while inspiring and transcending her confidence and inner balance.

What tips would you give our reader on wearing your shoes (when, where, how, with what fashions)?
Walk like you own clarity, peace of mind, good health and happiness. Utilize my Carlos by Carlos Santana shoes, bags and hats to compliment and make your outfit. Create your own unique style by embracing your individuality and your own true self.

Best piece of fashion advice for women?
Follow your heart and your own style, be who you are, be comfortable and do what speaks to you – embrace your individuality.

Celeb you'd most like to see in your shoes?
I like to see celebrities, as well as all women, that exude femininity, individuality and supernatural style, just like who my customer is. If I had to pick one, she'd have to embody all of that and have exceptionally pretty feet! — Niria Portella | Cosmopolitan 


Wednesday, September 26, 2018

theORIGINS: Heath Ledger's Joker



The Dark Knight: How Heath Ledger's Joker Was Born

Oscar-winning make-up artist John Caglione, Jr. retraces the steps of creating the ultimate version of the Clown Prince of Crime on The Dark Knight’s 10th anniversary.

When The Dark Knight was released in the U.S. on July 18, 2008, it was immediately clear that not only had director Christopher Nolan elevated the superhero movie genre to something approaching high art, but that an iconic take on a classic character had also emerged from the endeavor: Heath Ledger’s dark, scary and more realistic take on Batman’s age-old nemesis, the Joker.

On the occasion of The Dark Knight’s 10th anniversary, we spoke with make-up artist John Caglione, Jr., who was nominated for an Academy Award for his work on The Dark Knight along with Conor O'Sullivan. Caglione had previously won an Oscar for his makeup on Dick Tracy back in 1991, so he came into The Dark Knight with some very relevant experience in the realm of creating grotesqueries. But when it came to birthing a new version of the Joker, the makeup artist quickly realized that he would be crossing into some new and uncomfortable terrain.




“So I read the script for The Dark Knight, and having seen the first one of Chris Nolan’s trilogy, I got the feeling it was going to be more of kind of an organic-looking thing,” Caglione explains. “It was going to be kind of real, not so comic book-y. Going in, and then talking to Chris, meeting him, it became a more realistic approach to the makeup. … What would it be if this guy slept in this makeup? You know, this psychopath. If he didn’t spruce up his makeup for two or three weeks. And, you know, he never changes his clothes in the film. … It was those kinds of organic details that really helps.”

When Caglione joined the production, Ledger was already signed on to play the iconic villain. The makeup designer’s earliest meetings were with the actor, director, and costume designer Lindy Hemming, followed by Caglione creating five or six color sketches as overlays of headshots of Ledger complete with green hair, different kinds of clown makeup, scars, and so on. This was followed with some makeup tests with Ledger in London, but as the process continued, it became clear that Caglione had to abandon his artist’s instinct to get everything just right.

“You know, you go into it, and you’re trying, as a makeup artist, I’m always trained to do every little detail,” he says. “And you think of a clown makeup, and for the most part they’re pretty detailed with sharp lines, but this had to be the opposite of that. It had to look very broken down, very… very lived in. So, yeah, my first few times were too perfect, so I had to kind of let my hand go. And it was hard, it was really hard to do that. And I remember the first week, the first few days on set, I would look at the makeup, and you don’t know the context of the film and the overall vision, and you’re looking at it as a makeup artist. And I’m saying, this is the worst makeup in the world here! You know? And, it was like, oh, am I doing the right thing?

And you’re looking at all the great makeups in history,” he continues. “Not just the Joker, but Clarabell and so many other greats -- you know, Emmett Kelly. And they’re always just very accurate, very precise makeups, and then here comes this. Ahhh! But, thank God it all worked out, right?”




It’s easy to forget now, but before The Dark Knight was released, the standard bearer of Joker makeups was the Jack Nicholson version from Tim Burton’s 1989 Batman. But Caglione says that as far as he can recall, that design was never really discussed when creating the Ledger Joker. In fact, even the idea of the Joker’s white face being the result of an accident -- which is clearly the case in the Burton film -- just didn’t fit in the Nolan world of Batman.

“The first Batman was amazing,” says Caglione. “I love Nicholson’s makeup. And I love the whole approach that Tim Burton [took] … the comic book style of the film, it worked. Everything about that film was great. So, in the back of my mind, maybe subconsciously it was there, but no, it never came up in meetings or discussions. It was, let’s roll up our sleeves and make this thing look like a real person could have done this to themselves. … I think it was always discussed, that this was a possible -- you know, just a psychopath. A real person that just gets into this whole thing. It’s almost like a split personality. And so, yeah, it’s a madman in makeup. It’s that concept.”

Part of the “doing this to themselves” aspect of the character includes the question of those scars on either side of this Joker’s face. Of course, the film itself leaves the question of where the scars came from open to interpretation, as unknowable as the Joker’s ever-changing origin.

“I always got the impression that it was self-inflicted,” says Caglione. “But it’s up to you to decide. Was he punished, was it abuse? Was it an abusive situation? It could have been [and] that just tipped him over the edge. Mutilation, self-mutilation. We never really know for sure.”

Not surprisingly, Ledger himself was very involved in creating the makeup with Nolan and Caglione. Indeed, he was essential to getting the worn and cracked look of his Joker just right.

“It was great with Heath, it was just a great experience,” says Caglione. “He was a great person to work with every day. It was like a dance, because certain parts of the makeup, to get those cracks and all the drippy stuff, you really need the cooperation of the actor’s facial gestures when laying down the makeup and the paint. So we had a lot of fun together on that movie.”




Achieving the desired effect essentially involved Ledger acting in the makeup chair.

“He would contort his face or raise his eyebrows,” recalls Caglione. “Or I would even take one hand and kind of scrunch the corner of his eyes to create crows’ feet, you know, draw those wrinkles, and brush grays and white colors over it, and he would relax and you would get all these expressive lines and details that just come naturally. Listen, it’s an old theater trick. They were doing it in the turn of the century, the 1920s in theater. Actors would put white makeup on and scrunch their face and let it go, and then paint little brown lines. So it’s nothing that we really invented. It was a throwback to old makeup techniques.”

Another throwback in the design process came in the famous interrogation scene, where things get real rough between the Caped Crusader and the Clown Prince of Crime.

“So, Heath and I would always be like, gee, what could we do a little different toward the end of the sequence?” recalls Caglione. “And I remember one time we’re talking about the scene where he gets beat up by Batman. He’s in the jail cell. And at the end of the scene, he wanted to have a different look, Heath. And I was thinking about what we can do with the eyes, the black and stuff. And I went, you know, there was this great villain in the Chaplin films, he was played -- the actor was Eric Campbell, and he always played the big heavy in all the Chaplin movies. And he always had these big, black eyes that kind of had these black eyebrows. And Heath was like, well, let me see a picture. So I pulled it up, and we kind of went for that kind of look. It was a throwback to an old Chaplin villain from the silent screen days.”

According to Caglione, Christopher Nolan wasn’t the kind of director who said “I want you to do exactly this.” Instead, he would offer inspiration and guidance. Take, for example, the paintings of Francis Bacon that he brought to Ledger and Caglione early in the design process.

“I think it was his way of saying, let’s blur this, let’s loosen this up,” says Caglione. “Here’s a book, look at it, and maybe you’ll find some inspiration. And it really helped, you know, we turned a corner. He didn’t have to say much, but that was the way it kind of went. And then Heath helped me to relax. The great actors help you relax so you can really bring it, and you can just try different things and feel free to do it. But that Francis Bacon painting, that day that Chris came in and plopped that down and we went through some pages… He said, yeah, maybe look at this picture, look at that picture. I think he actually had some of the pictures tagged with Post-its that he likes. Just for inspiration.”

Funny enough, it was a Francis Bacon painting in the 1989 Batman that the Jack Nicholson Joker spared during his gang’s rampage in the Gotham City museum. Coincidence? Who can say?

Of course, sadly Heath Ledger passed away before The Dark Knight was released. He went on to receive a posthumous Oscar for the role, but had he not died, the actor could’ve returned as the Joker. Caglione recalls Ledger talking about his ideas for the character beyond The Dark Knight.




“Yes, he did, he actually did talk to me about it,” he says. “He wanted to… start at the Arkham Asylum. And his idea -- I don’t know if he ever talked to Chris. This is just private moments in the chair with Heath, and conversations like, wouldn’t it be great to go back and see what really happened to this guy, how he became what he became? And why he just, you know, flipped out and became maniacal? And he always thought it would be great to go back to the asylum, or even before that. So it was just chit-chat in the chair. … Because I’m sure as an actor, he needs to know the origins of the character; it’s really important to him.

“He was excited about the idea of going back in time, and seeing how he became the Joker. You know, the evolution of the character,” says Caglione. “It would have been cool. It would have been cool.”

Indeed, it would’ve been cool. But at least we’ll always have Heath Ledger’s amazing performance from The Dark Knight, and the unforgettable look of the character created by Christopher Nolan, John Caglione, Jr., Conor O'Sullivan, Lindy Hemming and, of course, Ledger himself. — Scott Cullura | IGN
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