In 1982, an Australian mother was convicted of murdering her baby
daughter. She was later exonerated, but soon fell victim to a joke that
distracted the world from the real story.
Vindication at Last for a Woman Scorned by Australia’s News Outlets
‘Dingo’s Got My Baby’: Lindy Chamberlain's Trial by Media
To
American ears, the word can seem odd, even comical: dingo. Sounds a lot
like “dingbat.” Wasn’t that what Archie Bunker called his wife, Edith,
on “All in the Family”?
But there is nothing laughable about the dingo, Australia’s
native wild dog and a predator capable of inflicting considerable harm.
Certainly, nothing was funny about the most famous episode involving
that animal: the 1980 disappearance of 9-week-old Azaria Chamberlain
while her family was camping in the Australian outback. Her mother,
Lindy Chamberlain, said that a dingo had entered a tent where the baby
lay, and made off with her; the body was never found. An initial inquiry
supported her account. But then another inquest was held, and soon Ms.
Chamberlain stood accused of having slit Azaria’s throat. Found guilty
of murder in 1982, she was sentenced to life in prison, only to be
released three years later when new evidence surfaced that absolved both
her and her husband, Michael Chamberlain, who had been convicted as an
accessory after the fact. Even so, it took nearly three more decades
before a coroner, in 2012, finally issued what the now-divorced parents
had long sought: full vindication in the form of a death certificate formally ascribing Azaria’s fate to a dingo attack.
The Retro Report
series of video documentaries examining major news stories from the
past takes a fresh look at this Australian tale even though it may seem
remote from American experience. It is not. A defining element of the
dingo story was news coverage that might reasonably be described as a
circus if that would not be a gross insult to circuses. Americans are
surely no strangers to three-ring court cases of their own, whether that
of O. J. Simpson in the 1990s or the continuing trans-Atlantic
juridical odyssey of Amanda Knox.
One
can go back further, to the 1950s and the ordeal of Sam Sheppard. He
was a Cleveland doctor convicted of murdering his wife, Marilyn, in
their home, despite his insistence that an intruder had killed her. (If
that summary rings a bell, it may be because the Sheppard case is widely
assumed to have been a model for “The Fugitive,” a popular 1960s
television series and a 1993 film starring Harrison Ford.) Newspapers in
effect convicted Dr. Sheppard before he had even been arrested. “Why
Isn’t Sam Sheppard in Jail?” a Cleveland Press headline thundered on the
front page. The coverage was so lopsided that in 1966 the United States
Supreme Court overturned the conviction, citing the “carnival
atmosphere” and the trial judge’s bias. In a new trial that year, a jury
found Dr. Sheppard not guilty.
The
Chamberlain saga managed to find a niche in American pop culture. It
was the case that launched a thousand quips, on shows like “Seinfeld”
and “The Simpsons,” and in the 2008 film “Tropic Thunder.” That
unfamiliar word, dingo, had something to do with it. So did a 1988 film,
“A Cry in the Dark,”
in which Meryl Streep resorted to another of her many foreign accents
to play Lindy Chamberlain. The mother’s cry, “The dingo’s got my baby,”
became a punch line, usually rendered in a mock Australian accent as
“The dingo ate my baby.”
When
it came to the Chamberlains, the collective failings of Australian
officials and news organizations verged on the cosmic. For starters,
even before the family had set up camp at Uluru — formerly known as
Ayers Rock, in Australia’s Northern Territory — the chief park ranger
there had warned his superiors that dingoes were a growing threat to
humans and that their numbers needed to be thinned. He was ignored.
Supposed experts in forensics thoroughly botched the job. For example,
they identified stains on the floor of the family car as dried blood —
evidence, they concluded, that Ms. Chamberlain had taken the baby there
and cut her throat with some sort of blade, possibly nail scissors.
Actually, the stains were the remains of a drink and a chemical compound
that came with the car.
Everything
about the Chamberlains seemed fair game for Australian cameramen and
notepad holders (a phenomenon that Americans also know well). They were
devoted members of the Seventh-day Adventist Church, a denomination
alien to most Australians. Many of them were open to suggestions that
this was a strange cult capable of killing an infant. Word got around
that Azaria was Hebrew for “sacrifice in the wilderness.” In truth, it
means “God helped.”
Then
there was the behavior of the parents. They had three other children,
all in fine shape, and left in the father’s custody, including a baby
born soon after Lindy’s murder trial. To the journalist pack, Michael
seemed overly diffident and Lindy too eager to play for the cameras. Her
“sultry good looks,” as one writer put it, arched many an eyebrow as
did her wardrobe in public appearances; it tended toward sleeveless
dresses held in place by thin shoulder straps. A further turnoff for
many was her cold, clinical discussion of wince-inducing subjects, like
how meticulous a dingo could be in peeling layers of flesh from its
prey.
Lindy
Chamberlain-Creighton — years after her divorce in 1991, she married an
American, Rick Creighton, and added his name — says she felt trapped in
a no-win situation. “If I smiled, I was belittling my daughter’s
death,” she told Retro Report. “If I cried, I was acting.”

In
the 1980s, Australians by huge margins told pollsters that they were
sure of Lindy Chamberlain’s guilt. Some animal rights activists even
seemed to prefer the thought that a mother had butchered her baby than
that a wild dog was responsible. Journalists who covered her trial now
say that while Australian public opinion has shifted strongly in her
favor over the years, some still doubt her innocence. In a sense, it is
the flip side of O. J. Simpson (who, as it happens, once appeared in
advertisements for Dingo cowboy boots). Polls show
that regardless of Mr. Simpson’s 1995 acquittal on charges of murdering
his former wife and her friend, growing majorities of Americans,
including African-Americans, now believe he indeed did the crime.
Americans,
be they journalists or their readers and viewers, may see a bit of
themselves reflected in observations from John Bryson, an Australian
journalist and lawyer who was convinced of the Chamberlains’ innocence
from the start. His 1985 book on the case, “Evil Angels,” formed a basis
for the Meryl Streep film. “Celebrity cases are momentously silly,
inaccurate, overblown, largely because we in the media have such a good
time with it,” he told a Retro Report interviewer. “And everyone was
having a great time with this astonishing story and the astonishing
capacity of the Australian public for suspending disbelief that they
would never, in different circumstances, have been party to.” — Clyde Haberman | The New York Times
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